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Do you know, when I am out at a party with you likethis, why I speak so little to you, keep away from you, and only send a stolenglance in your direction now and then? It isbecause I make believe to myself that we are secretly in love, and you are mysecretly promised bride, and that no one suspects there is anything between us. NORA.[hanging back in the doorway, and struggling with him]. I want to go upstairs again; I don’twant to leave so early.
A Doll's House, Part 2 – Play Review Tacoma Little Theatre – The Suburban Times - The Suburban Times
A Doll's House, Part 2 – Play Review Tacoma Little Theatre – The Suburban Times.
Posted: Sat, 27 Jan 2024 08:00:00 GMT [source]
Take a Study Break
In 2006, on the occasion of Henrik Ibsen’s centennial death, A Doll’s House held the honor of being the world’s most performed play. In 1864 Ibsen began a self-imposed exile from Norway that would last 27 years. He traveled first to Italy, where he was joined by his wife, Susannah, whom he had married in 1858, and his son. The family divided its time between Italy and Germany.
Major Characters in A Doll’s House
He, with his sufferings and hisloneliness, was like a cloudy background to our sunlit happiness. [Standing still.] And perhaps for ustoo, Nora. We two are thrown quite upon each other now. [Puts his arms roundher.] My darling wife, I don’t feel as if I could hold you tightenough.
The nursemaid
He reveals that Torvald intends to fire him at the bank and asks Nora to put a good word out for him so that he can stay employed. When Torvald returns, Nora begs him not to fire Krogstad, but he refuses, exposing Krogstad as a liar, a hypocrite, and a criminal, as he forged a person’s signature. A man "poisoning his own children with lies and dissimulation” who makes him sick. Krogstad leaves, and Nora and Torvald return from the ball. Mrs. Linde urges Nora to tell her husband the truth, and then she leaves as well.
by Henrik Ibsen
She explains that they were very poor and both had to work long hours. Torvald became sick, she adds, and the couple had to travel to Italy so that Torvald could recover. A Doll’s House opens on Christmas Eve. Nora Helmer enters her well-furnished living room—the setting of the entire play—carrying several packages.
Dr. Rank leaves the study and mentions that he feels wretched, though like everyone he wants to go on living. In contrast to his physical illness, he says that the man in the study, Krogstad, is "morally diseased". I have been more of a poet and less of a social philosopher than people generally tend to suppose.
Helene, the maid, announces that the Helmers’ dear friend Dr. Rank has come to visit. At the same time, another visitor has arrived, this one unknown. To Nora’s great surprise, Kristine Linde, a former school friend, comes into the room.
'A Doll's House, Part 2' at Tacoma Little Theatre - southsoundmag.com
'A Doll's House, Part 2' at Tacoma Little Theatre.
Posted: Mon, 08 Jan 2024 08:00:00 GMT [source]
The play comes to a climax when Torvald reads Krogstad’s letter. Nora, convinced of Torvald’s utter love for her, believes that a “wonderful thing” will happen, showing once and for all that Torvald would sacrifice anything for her well-being. She believes that Torvald will take the blame for the forgery himself, sacrificing his own reputation for hers and balancing out the sacrifice she made to save Torvald’s life. In order to understand herself and engage with the world on her own terms, Nora leaves Torvald and her children to start a new life, where she knows herself as a human being above all. Act Two opens on the following day, Christmas. Alone, Nora paces her living room, filled with anxiety.
DRAMATIS PERSONAE
Over the years, A Doll’s House has been adapted into numerous films, stage productions, and even inspired reinterpretations, solidifying its enduring impact on the world of literature and drama. Torvald explains that, when a man has forgiven his wife, it makes him love her all the more since it reminds him that she is totally dependent on him, like a child. He preserves his peace of mind by thinking of the incident as a mere mistake that she made owing to her foolishness, one of her most endearing feminine traits. Torvald enters and tries to retrieve his mail, but Nora distracts him by begging him to help her with the dance she has been rehearsing for the costume party, feigning anxiety about performing. She dances so badly and acts so childishly that Torvald agrees to spend the whole evening coaching her.
Critics agree that, until the last moments of the play, A Doll’s House could easily be just another modern drama broadcasting another comfortable moral lesson. Finally, however, when Nora tells Torvald that they must sit down and “discuss all this that has been happening between us,” the play diverges from the traditional form. With this new technical feature, A Doll’s House became an international sensation and founded a new school of dramatic art. The nanny returns with the Helmers’ three children and Nora plays with them for a while. Soon after, Krogstad resurfaces into the living room, surprising Nora.
Therefore, for it to be considered acceptable, and prevent the translator from altering his work, Ibsen was forced to write an alternative ending for the German premiere. In this ending, Nora is led to her children after having argued with Torvald. Seeing them, she collapses, and as the curtain is brought down, it is implied that she stays. Nora leaves her keys and wedding ring; Torvald breaks down and begins to cry, baffled by what has happened. After Nora leaves the room, Torvald, for one second, still has a sense of hope and exclaims to himself "The most wonderful thing of all—?", just before the door downstairs is heard closing.
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